Half-way through my composer-in-residence with Icelandic Caput Ensemble, a further two compositions will be forthcoming in 2020. Dealing with structural rubato, I will also be experimenting with a local, 360 degree amplification of the electronics. This is a spin-off from the larger 3D Sound Object that has recently been built in Copenhagen with 12” units. Whereas the larger model can work as a full PA or work in conjunction with traditional PAs, a personal 3DSO will be using smaller units for a local stage placement, next to the performer. But it will be an important step in integrating acoustic instruments with a similar sounding amplification of electronics, avoiding the classical procedure of separating instruments and electronics into two very separate functions.